this post was submitted on 08 Jan 2024
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Science Fiction

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Lemmy World Rules

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We took a trip through decades of the genre and came up with a list of the most important and best hard science fiction movies of all time. They are the essence and the foundations of the book of sci-fi rules that's still being written as we, the audience, become much more self-aware of our relationship with technology, the future, and whatever those two will bring.

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[–] [email protected] 88 points 2 years ago (12 children)

Their list:

 15 2001: A Space Odyssey (1968)

 14 Interstellar (2014) 

 13 Gattaca (1997) 

 12 Solaris (1972) 

 11 Ex Machina (2015) 

 10 Coherence (2013) 
 
 9 Sunshine (2007)  

 8 Primer (2004) 
 
 7 Stalker (1979) 

 6 Gravity (2013) 

 5 THX 1138 (1971) 
 
 4 Ad Astra (2019) 
 
 3 Contact (1997) 
 
 2 The Martian (2015) 

 1 Blade Runner (1982) 

doesn't contain Arrival (2016) wtf.

[–] [email protected] 45 points 2 years ago* (last edited 2 years ago)

Doesn’t contain Moon, 12 Monkeys, The Arrival, Alien, District 9… there are quite a few movies I would out ahead of Ad Astra and Sunshine at the very least. And possibly Gravity and Solaris too. Also, listing 2001 in 15th place???

[–] [email protected] 24 points 2 years ago

doesn’t contain Arrival (2016) wtf

I agree, that was one of the most thought provoking scifi films I’ve seen in a long time.

[–] [email protected] 7 points 2 years ago

Doesn't contain The Arrival either. Or Moon, or Alien or Twelve Monkeys… Basically there are a lot of more deserving candidates then Gravity, Ad Astra and Sunshine.

[–] [email protected] 6 points 2 years ago (4 children)

Great movie, but I'm not sure it's considered "hard SF." There's no real basis to anchor much of the science in it.

[–] [email protected] 22 points 2 years ago (2 children)

I'd say the same thing about "Sunshine" and "Interstellar".

Some movies I might consider including, in no particular order:

  • Moon (2009)
  • 2010: The Year We Make Contact (1984)
  • Silent Running (1972)
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[–] [email protected] 8 points 2 years ago (1 children)

Both the book and the screenwriting required the invention of a form of alien linguistics which recurs in the plot. The film uses a script designed by the artist Martine Bertrand (wife of the production designer Patrice Vermette), based on scriptwriter Heisserer's original concept. Computer scientists Stephen and Christopher Wolfram analyzed it to provide the basis for Banks's work in the film.[32][33] Their works are summarized in a GitHub repository.[34] Three linguists from McGill University were consulted. The sound files for the alien language were created with consultation from Morgan Sonderegger, a phonetics expert. Lisa Travis was consulted for set design during the construction of the scientist's workplaces. Jessica Coon, a Canada Research Chair in Syntax and Indigenous Languages, was consulted for her linguistics expertise during the review of the script.[35]

https://en.wikipedia.org/wiki/Arrival_(film)

[–] [email protected] 7 points 2 years ago (7 children)

If you're trying to say that the fact that they invented a realistic language for the film makes it hard SF, I think that's quite a stretch. What's the basis for

spoilera language changing a human's concept of time and allowing them to remember the future
?

[–] [email protected] 8 points 2 years ago (2 children)

Sure, good point, I think of the movie Arrival as two parts:

For most of the movie, a scientist is struggling with a novel interesting scientific problem with guidance from subject matter experts who have established environmental knowledge but not theoretical insight, with a great deal of interference from funders, with inter-team rivalries and a collaborator / competitor tension with similar teams around the world. The problem in question is based on linguistics with the type of thoroughness that is never shown on screen and rarely in print SF. (Compare it to the "Shaka when the walls fell" episode of TNG. I like that episode! But it's cartoony by comparison.) So both the practice and the principle of the research shown has a scientific basis, and if the movie had ended with the lead scientist solving the problem then I think we'd all agree it's Hard SF. However, we also have the last part of the film.

You question the scientific plausibility of the last part of the film. Regarding the story the film is based on, apparently:

In the "Story Notes" section of Stories of Your Life and Others, Chiang writes that inspiration for "Story of Your Life" came from his fascination in the variational principle in physics. -source

but I don't know enough to judge that and though it was kind of uplifting, the last part of the film was qualitatively different from the first, and I agree seems a lot less "Hard SF".

To recap, I argue that at least the first part (a majority?) of the movie is Hard SF. Now the question is: does the last part disqualify it from a) being on this list and b) being Hard SF? Regarding a), the authors of the list say "Contact is hard sci-fi by association because it's not a very realistic film" so they are taking a very forgiving definition of Hard SF. Therefore I stand by my assertion that Arrival is qualified to be on that list. By virtue of the quality with which the first part of the movie proceeds, I argue that it also deserves to be on that list. Regarding b) whether Arrival is Hard SF beyond the definition used by that list I am less certain.

[–] [email protected] 6 points 2 years ago

I'm with you on the first part, but the fact that the whole conclusion to the story - the solution to the mystery - ends up being as close to fantasy as to SF to me makes it not a hard SF film. But we're talking about terms for things that exist on a spectrum, not crisply defined black and white. I don't begrudge your take on it, I just feel differently.

[–] [email protected] 4 points 2 years ago

I think there is a large gap between Contact and Arrival. Contact involves creating a giant machine that allows ftl communication. Arrival involves the idea that we are born with our neurons already physically imprinted with every memory we will ever save. This is already known to be wrong because we have observed change in neurons.

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[–] [email protected] 6 points 1 year ago* (last edited 1 year ago)

Conspicuous in its absence: anything animated, like Ghost in the Shell (1995), which I'd argue is harder than quite a few things on this list.

[–] [email protected] 5 points 2 years ago

Haven't heard of half of them. And no Alien? What silliness.

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[–] [email protected] 37 points 2 years ago (19 children)

Gravity is on this list? That movie had the most ridiculous physics.

[–] [email protected] 10 points 2 years ago

And a ghost

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[–] [email protected] 30 points 2 years ago (3 children)

Gravity and Ad Astra don't belong on this list. Also they suck.

[–] [email protected] 8 points 2 years ago

I hate Ad Astra so much. I was so hyped for it and then almost left the theater when we were watching it.

Gravity is not too terrible. Rewatched it recently. It’s a fun watch the first time but it’s too shallow for subsequent views.

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[–] [email protected] 28 points 2 years ago (3 children)

That site is awful. Has a nice little "Accept all" button for its popup, but you gotta go through thousand partners it sells your data to in order to even try to reject.
This is some serious malicious intent shit.

[–] [email protected] 8 points 2 years ago

1506 partners. Insane.

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[–] [email protected] 20 points 2 years ago* (last edited 2 years ago) (19 children)

Hard to define 'hard', a few more I liked: (no ranking)

  • The Time Machine (both the Pal and the Wells films; quite different)

  • Dark City (1998, Pryas)

  • Forbidden Planet (1956, Wilcox)

  • The Day the Earth Stood Still (1951, Wise)

  • Fifth Element (hilarious, Besson, 1997)

  • Alien (Scott, 1979)

  • 13th Floor (Rusnak, 1999)

  • Stargate (1994, Emerich)

  • Steamboy (2004, Otomo)

Movies made from famed series I'd REALLY LIKE to see:

  • Ringworld (Niven, a crime noone's DARED to try).

  • Some setting of Riverworld. (Farmer)

  • ANY of Neal Stephenson's SF books, esp. Snow Crash, Cryptonomicon, Diamond Age, Anathem.

(Not even the BBC? I mean, who expected Doctor Who to get THIS far?!)

[–] [email protected] 9 points 2 years ago (1 children)

Dark City is an amazing movie!

[–] [email protected] 7 points 2 years ago (1 children)

One of the rare examples of sci-fi mixed with a skillfully unfolded mystery. Even when you know 'the answer', there are plenty of 'how did they do that' film-making mysteries.

I forgot to mention his entirely 'I, Robot', VG 2004 film ... maybe because robots don't don't seem so science-fictionish these days...

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[–] [email protected] 19 points 2 years ago* (last edited 2 years ago) (2 children)

I know Internet lists and opinions and all that, but I'm sorry but any list that puts 2001 behind Interstellar is one to ignore, at least the rankings.

All good movies on the list, though.

[–] [email protected] 7 points 2 years ago (1 children)

2001 is so hard to watch. I've started so many times but keep getting distracted. Interstellar, while not perfect, kept my interest better.

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[–] [email protected] 18 points 2 years ago (4 children)

This is just a SciFi Movie list rather than a hard SciFi one.

I agree that The Martian is hard SciFi tho.

[–] [email protected] 8 points 2 years ago (1 children)

Solid first few, then it went to kid’s films? Really not impressed by the list at all, like the furthest they reached back was Blade Runner and only mentioned it because it’s popular, not because it was a genre defining film.

[–] [email protected] 5 points 2 years ago (2 children)

Blade Runner absolutely brought cyberpunk to the big screen, it was absolutely genre defining for a lot of people. Prior it was just Neuromancer that imagined it.

Plus they had "Metropolis" from 1927, did you read the whole list? Lol

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[–] [email protected] 9 points 2 years ago (3 children)

Really excited to see Coherence on a list with so many other greats. It’s a great thriller movie and one of my favorites to watch with others. Provokes fun conversation about “what would you do in that situation?”

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[–] [email protected] 8 points 2 years ago (1 children)

District 9? Thoughts welcome

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[–] [email protected] 6 points 1 year ago (1 children)

No Europa Report, probably the hardest of sci-fi movies ever (~9.5 on Mohs scale)? Most movies on that list are somewhere around 5...6 on the Mohs scale, with some (GATTACA, 2001, Ex Machina) around 7...8 and only Martian at 9. Sunshine, Stalker and Coherence are not hard scifi at all, ~2...3.

[–] [email protected] 5 points 2 years ago

Sweet, I added Solaris and Stalker to my list of movies to watch. Still need to see Primer at some point too.

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