BerenstainsMonster

joined 7 months ago
[–] [email protected] 2 points 8 hours ago

Same. Glad to learn these principles and apply them to digital audio nonetheless. :)

 

I found this video inspiring. Although I don't necessarily agree with every point, the overall premise of embracing imperfection and using unique gear is worth shouting from the rooftops.

 

Or, I’m an Artist: How Loud Should my Recording Be?

[–] [email protected] 1 points 2 days ago

Nixon in China.

Jk lol.

 

Some good news for all, especially Reaper users. Inflator, Phoenix, L2 clones and more in this sweet suite.

[–] [email protected] 3 points 3 weeks ago

Yes, Brandi has got a lovely vibrato!

[–] [email protected] 1 points 1 month ago

Yeah the sibilance is right. I believe it has to do with the large coil which sound has to move when using a dynamic.

 

I found this a cool commentary on whether or not sound design matters in electronic music.

[–] [email protected] 2 points 1 month ago (1 children)

Yeah that would work well if I were precise enough to know when to automate the click in and out. If I'm playing free-tempo, I won't really know when that click should begin.

 

I'd love to discover a way to record a continuous performance (no cuts/overdubs) that starts without click and then continues to a click in the middle of the piece.

An external metronome could be triggered by foot pedal, for instance. But could it be done all within the DAW? Has someone devised a Reaper script for such a thing?

[–] [email protected] 4 points 1 month ago

I've never tried this! That sounds like pure vibes.

I'd imagine nostalgia is a big factor.

But otherwise, low-pass-filtered stuff generally sounds less exciting. You can read about pink noise and Brownian noise, for example, which more closely resemble natural phenomena like wind or rain from inside a shelter. Pink noise is white noise which decreases 3dB in volume each octave; Brownian noise, -6dB/oct. It were as if you put such a low-pass filter on white noise. So music that shares a similar frequency profile is relaxing.

[–] [email protected] 2 points 1 month ago

Reverb can be used for lots of purposes. As you say, it simulates reverberations a physical space.

Short, natural-sounding reverb can be used to blend tracks together. If two instruments need to sound like they were recorded in the same room, do it virtually.

As others have written, longer, natural reverbs can create a perception of size. You can make a vocalist sound like sang in a concert hall or a church or a bar.

Sometimes reverb may be used to impart tone, evoke a vintage. A spring reverb has different cultural associations than a Lexicon. Some reverbs' modal resonances highlight certain frequencies.

Long reverbs can be used to increase sustain of an instrument. Every ambient guitarist in the world is familiar with this.

What reverb means in a piece is for the artist and listener to interpret.

 

Especially for recording vocalists, I've found it much easier to mix dynamic mics. Dynamic mics don't often get the praise they're due.

Condenser mics are more expensive to build, so they are regarded as more expensive-sounding, which hasn't been 1:1 in my experience. I find that a 57 sounds better than most budget condenser mics. I think they're a much better bang for the buck.

What do you think?

 

In which Dan examines the oft repeated advice to "only dither once" and attempts to show why this should be "only dither to 16 bits once".

[–] [email protected] 2 points 2 months ago (1 children)

Are you talking about something like Soothe or SplitEQ? There are certain spectral effects that can remove the tonal characteristics from a sound, leaving only the nontonal aspects. E.g. on a piano, you'd only hear the unpitched, percussive hammer and key sounds.

Here's a FOSS alternative for Soothe. https://bedroomproducersblog.com/2024/03/03/nih-plug-spectral-compressor/

[–] [email protected] 14 points 2 months ago (1 children)

The better way to thwart republicans: take away their memes.

[–] [email protected] 1 points 2 months ago

Suno CEO doesn't even know what tuning an 808 means.

 

This is a neat demonstration of how low-pass filters affect D/A converters. Might mess around and try to replicate this test.

 

Does a sitar bridge effectively clip the waveform of the string? It certainly adds new harmonics.

I had a friend say it's more like the string being plucked or re-excited, inharmonically in this case.

Might this be like feedback?

[–] [email protected] 2 points 3 months ago

Based on my experience, there shouldn't be any difference between distributing a long song vs. a short one. You may not have come across them in the wild because algorithms, like radio, tend to favor 3-4 min songs.

[–] [email protected] 4 points 3 months ago

Pretty neat IMO (though I'm not a Bitwig user). They really seem to be upping the ante as an Ableton alternative.

Stuff like this makes me think this may one day become classic, historical gear.

 

I've been building up my digital music library again after giving music streaming the boot. I was going to attempt to digitize my CD and vinyl collection, but I frankly don't have the time for all that. So I thought I might turn to file-sharing and download digital versions of my physical collection. I prefer FLAC or WAV if the former isn't available. Can you recommend good places to get started?

 

Mikey Shulman, CEO of AI music generation startup Suno, actually thinks people don’t enjoy making music anymore. “It’s not really enjoyable to make music now,” according to him.

 

Multiple officials say Israel and Hamas have agreed to a ceasefire in Gaza and the release of hostages after more than 15 months of war.

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