EuphoricPenguin22

A promotional card from the 1989 DRK Next Stage! press conference. A prototype rally car made from officially-licensed parts was exhibited on a private course. This was several years before the final version was made available for sale.

Mine is probably the crane or the jumping frog at this point, but I'm probably overlooking a ton of other cool traditional models. Anyone else have any they like to fold?

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Since I was revisiting some of my attempts to use AI in my work, here's perhaps my very first attempt at combining vaporware with text-to-image generation. It's super messy and not really all that spectacular, but it's pretty cool to think that we've come this far in only two years. I mean, this (VQGAN+CLIP) was already impressive back in 2021, and it looks absolutely weird and incoherent next to even the first official public release of Stable Diffusion (from August 2022). This piece is one of those that I tend to ignore in my portfolio, as it's not all that great on its own, bit in with context, it helps to highlight the march of technological progress and changes to how I approach art in general.

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https://normalcity.life/c/origami

A community about origami, on Lemmy. From what I can tell, this is the very first community of its kind on Lemmy; a bit surprising, if you ask me. I've been getting more into trying to fold my own origami designs, and I run the instance where this community is hosted. I guess you could say my stake in the community is two-fold, but I wish to build a community that's more than paper-thin. If you like creating origami or want to learn more about it, please stop by. I'll probably release the first of my freely-licensed designs here, assuming I can create anything that isn't an eyesore. It would be cool if others did the same, but a place to share knowledge and cool folds is the real end goal. So, that's really it: origami, but on Lemmy.

This was one of my first attempts at using a repeating base pattern to create a more complex model. In other words, I basically folded a bird base in four smaller sections of the paper, which left me with several little subsections that I could fold in a way that added a more sculpted look. Since I was coincidentally using black and white paper and realized that I could fold the rear portion to look like a tail, I decided to try to fold a very oversimplified Orca. It has no dorsal fin, no anatomically-accurate underbelly, and little in the way of intrigue. Still, this is essentially my second design, and I think it's an interesting concept. I'm still not super happy with it, so I think I'll scrap it until I can create something better. Still, it's fun to share photos of folds like this, even when they aren't perfect.

ORIPA is the closest thing we have to CAD for origami. It's based on Java, although it does have binary builds for several major platforms. I couldn't get the Windows build to work, so I installed the OpenJDK and used the .jar file. The program is essentially based on editing a crease pattern, allowing you to visualize the final model in 3D. One of the killer features is that you can export the 3D view as a mesh, which means you could potentially edit it for 3D printing or create nice renders of your origami designs in Blender. It has many fold options available and should accommodate various origami styles.

I think one of the more promising ways to use this is to use it in tandem with a physical prototype for designing origami, as this gives you a clean template when you arrive at a design that you like. Some people have also mentioned that they design origami in this program before they ever fold it, which seems fairly difficult to me. Still, it's the closest thing I've found to a CAD program for origami, and it has a lot of features that make it genuinely useful. It's a bit rough around the edges, but it is a true little open-source gem that I imagine is easily overlooked for people new to origami.

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~~I believe I posted the revised version of this piece a while ago, but this is the original version.~~ I checked, and it doesn't look like I directly posted this anywhere. There's another version I made using img2img with my dreambooth model that is marginally better. I'm always trying to combine ideas in new ways, and this one was more of a visual metaphor of how the appreciated aesthetics of vaporwave have changed over time. It feels like the indie photobased charm has largely gone away, save for a few places like our Reddit counterpart, r/vaporwaveart. The larger subreddit, r/vaporwaveaesthetics, has an affinity for glossy renders that are often a bit too clean and polished for my taste. I appreciate it when people try new things, and aren't afraid to stick with an art style they like, even if it isn't the most popular thing in the world. Still, vaporware has been around for long enough now that the true beginnings of our visual aesthetics are essentially long forgotten.

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Similar to The Gaze, this is a parody of Caleb Worcester's once-steadfast affinity with his formulaic art style that was designed to maximize revenue. Somewhat ironically, it seems that this art style is driving some traffic to this community here on Lemmy. I'm not saying I hate this art style, but I do think it's funny that even the first major public release of Stable Diffusion could nail it without much trouble. I think it goes to show you how unoriginal Caleb's stuff used to be. Heck, I even made a post ages ago on Reddit detailing how he had even failed to properly credit people when he used their CC-BY 3D assets. From what I can tell, though, he's straightened up his act and is really starting to produce some unique stuff, all in Blender.

In any case, this piece was one of a few initial tests I did with Stable Diffusion, even before the weights were made publicly available. I've since grown to love how it integrated tightly with my existing Photoshop workflow, and it's allowed me to amplify the kinds of public-domain-licensed artwork I'm able to create.

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My goal is to share basically the entirety of my public-facing art portfolio; I think we might be close to the halfway mark. This is another experiment in minimalism from a few years ago; I believe this was from the summer of 2021. Nothing too crazy here, but I do revisit variations on the theme of flat colors and bold lines now and again.

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I believe this is my most recent piece (as of 7/13/23). A classic mismash of vaporware tropes into a basic composition.