kingmongoose7877

joined 2 years ago
MODERATOR OF
[–] [email protected] 11 points 2 years ago

Nicely written. Thanks! 👍

[email protected]

[–] [email protected] 1 points 2 years ago (1 children)
[–] [email protected] 1 points 2 years ago (3 children)

HA! Color me embarassed! I have a daily quota on misinterpreting things people tell me. I parsed that as "In the year 2001 Criterion released Devil Doll in laserdisc format! 🤦

I should edit the article to say "present-day Criterion"…but I won't (evil laugh)! 🦹 Do you remember when that 2001 release was from? Guessing from the format, 1980s or early 1990s? It's actually surprising (to me, anyway) how long the format survived; according to Wikipedia, Scorsese's Bringing Out The Dead was released on Laserdisc in the year 2000, the final Laserdisc (North American) release for Paramount.

And finally, we're both scratching our heads in unison regarding Criterion's occasional lapses of judgment of their releases. What's next? Zack Synder's Justice League: Justice Is Gray? Eww…I just got a little sick there.

[–] [email protected] 4 points 2 years ago (2 children)

Well, he's not dead yet, is he? Maybe he stipulated on his death Studio Ghibli goes in maintenance mode...whatever that means.

Then again, Nippon TV buys the name and rights then feeds Princess Mono, Spirited Away, etc. into StableDiffusion/Midjourney/ChatGPT and BINGO! A new Studio Ghibli release every year for Xmas! /cynic

[–] [email protected] 2 points 2 years ago* (last edited 2 years ago)

Thanks for this one. It's obvious how it unrealistically paints an entire population, not unlike Porgy and Bess. One must take into account that it's a film of its time: it's not a documentary, it's essentially a fairy tale. A beautiful piece of cinema nevertheless.

[–] [email protected] 1 points 2 years ago (5 children)

Wow! Then again, on second thought I'm not too surprised, not because of the art-house/historic value of the film but because the aforementioned co-founder's appearance (and most likely paying a song for licensing).

Regarding no longer having the licensing rights, I'd guess (but could be wrong) they sold eleven copies of this dog, on laserdisc no less (that probably only sold a few hundred units /jk), and decided to cut their losses!

[–] [email protected] -1 points 2 years ago* (last edited 2 years ago) (1 children)

!moviesnob Seal of Approval. 🏆 👍

My vote is for movie theatres, say what you will. While I understand and appreciate the convenience and comfort of home theatre viewing, it's not and can never be the same experience. Go see, for example, any of Christopher Nolan's works or any of the Wachowskis works at the movies and then at home and tell me there's no difference (or home viewing is better).

I-Am-An-Idiot-EDIT: See 2001: A Space Odyssey on "the big screen" and at home and tell me there's no difference.

[–] [email protected] 1 points 2 years ago

Super excited for this.

I've got the cold sweats about it.

[email protected] at a quick glance seems more of general horror community covering not only movies. I've never visited r/horror. Care to describe the vibe to the tribe…uh…darn, can't think of a name that rhymes with describe/vibe/tribe!

And please, post away anything you feel might belong here…you're one of us, one of us, one of us, one of us…

[–] [email protected] 7 points 2 years ago (1 children)
[–] [email protected] 2 points 2 years ago

Thanks for the tip, Flip!

[–] [email protected] 4 points 2 years ago

The Evil Dead?!? Terrifying! Geez, we saw that one at the cinema! We were all peeing-our-pants screaming like little 11-year-old girls! 🤣

Years later I met Ellen Sandweiss (she needed copies of her headshot). I'd recognized her from The Evil Dead and she seemed embrassed!

[–] [email protected] 3 points 2 years ago

:envious face:

 

Horror Movies
[email protected]
https://lemmy.film/c/horrormovies

...and for our ~~fiends~~ friends on kbin...

https://kbin.social/m/[email protected]

...or do nothing...just wait...alone in a dark room...in an unfamiliar house...don't worry...we'll find you...

 

cross-posted from: https://lemmy.film/post/1212409

| Title | The Inventor | |


|


|

| Genre: | Animation, Family | | MPAA Rating: | PG | | Runtime | 01:32:00 | | Release Date (USA): | September 15, 2023 | | Director: | Jim Capobianco, Pierre-Luc Granjon | | Main Cast: | Stephen FryMarion CotillardDaisy RidleyMatt Berry | | Summary: | Famous artist, engineer and inventor Leonardo da Vinci leaves Italy to join the French court where, with the help of the princess Marguerite de Nevarre, he can experiment freely. |

Useful links:


This is the place for all your general discussion, personal and/or linked reviews regarding the new 2023 film, The Inventor, pinned for your convenience!

Please, for the benefit of the community, use spoiler formatting if you must reveal!

If you have a new movie release you think should be pinned, let us know (one to two weeks in advance, per cortesia)! And remember, just use the search icon 🔍 to find past Megapost discussions!

 

cross-posted from: https://lemm.ee/post/6938138

PLOT: Mahito, a young 12-year-old boy, struggles to settle in a new town after his mother's death. However, when a talking heron informs Mahito that his mother is still alive, he enters an abandoned tower in search of her, which takes him to another world.

Release Date: The film is set to release in USA/CANADA on December. Imax release date is December 8th.

 

(I've put the MovieSnob LinkMonkey™ to work temporarily here at [email protected] and here's what it dug up for today -- @[email protected])


🔗🐒 Hi! I'm the MovieSnob LinkMonkey™! 🔗🐒 Enjoy this link! It's Google-free!

Alternate Google-free link: https://yewtu.be/watch?v=RfsoP--5_NM

Bonus MovieSnob LinkMonkey™ Link: Official Movie Site

 

Even as a kid watching the original Terrytoons cartoons I couldn't help noticing there was always something strange about 'em. They wiggled, wobbled and warped like no other cartoons I'd seen! And here's one of the main reasons why: animator Jim Tyer.

Enjoy Vincent Alexander's tribute to the rubbery animations of Jim Tyer over at CartoonBrew!

 

The movie in question is 2022's Marlowe. The director is Neil Jordan, who in the past has directed such memorable and powerful cinema as Mona Lisa and The Crying Game. The starring cast features Liam Neeson, Diane Kruger and Jessica Lange with supporting roles by Danny Huston, Alan Cumming, Colm Meaney and Adewale Akinnuoye-Agbaje. The screenplay was written by The Departed's William Monahan, adapted from The Black-Eyed Blonde by author John Banville. And to top it all off, the titular character is the iconic private eye, Raymond Chandler's Philip (with one "L") Marlowe.

That's an awful lot of firepower they're packin'.

And this movie is a dud. A disappointment. A damp squib. It doesn't sizzle. It doesn't smolder. There's no chemistry between any of the characters, even though two of the leading roles say they want to bed the lead. If it weren't an Irish production through and through, I'd go so far as to say something got lost in translation. Maybe somethind did—Ireland isn't Los Angeles of the late 1930s. The best I can say about this film is it has its moments.

Neeson is just plain stiff despite him being theoretically capable of pulling off the role. Kruger, Lange and Huston are, unfortunately, forced. Meaney is the only convincing one of the bunch, save Cumming and his introductory scene. If only the entire movie had the pace, repartee and style of this scene, it would have been a winner, or at least been saved.

If you haven't seen it, don't worry. You haven't missed anything.

 

With all the present-day ugliness continuing far too long, here's something to remind us of the beauty that can be created.

From 1981, here is Roman Kachanov's beautifully animated children's story, The Mystery of the Third Planet, in its original form. With subtitles, yet!

Based on one of the Alisa Selezneva series of children's books by screenplay writer Kir Bulychev, Kachanov's film is beautfully animated using traditional cel animation techniques. No made-for-TV 4-frames-per-second job is this, the animation is technically spectacular. While parts are most likely rotoscoped, most of the film is not, demonstrating the grasp Kachanov and crew had on the art of movement.

Natalya Orlova's art direction and character design is a wonderful mix of Heinz Edelmann and eastern european design of the time (being mid-to late 1970s when production started). In my less-than-humble opinion, it is always refreshing seeing a style that isn't merely a Disney or Anime retread.

And dig that crazy sov-synth soundtrack by composer Aleksandr Zatsepin, (from the Wikipedia article) often described as a milestone in Soviet electronic music.

Alternate Google-free Link: https://iv.melmac.space/watch?v=DBOVmZgLsxk&t=206&iv_load_policy=1

 

cross-posted from: https://lemmy.dbzer0.com/post/2259501

An animated film by French caricaturist, cartoonist and animator Émile Cohl. It is one of the earliest examples of hand-drawn animation, and considered by many film historians to be the very first animated cartoon. Despite appearances the animation is not created on a blackboard but rather on paper, the blackboard effect achieved by shooting each of the 700 drawings onto negative film. The title is a reference to the “fantasmograph”, a mid-19th century variant of the magic lantern that projected ghostly images on to surrounding walls.

(The Public Domain Review)

Thanks to @[email protected]!

 

Just saw this very movie posted over at Full Movies on YouTube, but—gasp!—colorized!

So these new AI Ted Turners wanna play with their new tech toys, well, that's all fine and dandy…but leave the noir in Film Noir, thank you. For your viewing pleasure, in the original and glorious black and white, just like the newspaper they're printin', the great Humphrey Bogart in Deadline – U.S.A.!

EXTRA! EXTRA! Link: the original trailer in 1080HD!

1
submitted 2 years ago* (last edited 2 years ago) by [email protected] to c/[email protected]
 

Today's kind of a sad day here at c/[email protected].

"I Hate Pink Floyd." That was the phrase famously scrawled on Johnny Rotten's t-shirt when he first "auditioned" for The Sex Pistols way back in 1975. And it was also true for me as a kid, cemented (much) later by Roger Waters' masturbatory epic "cry for the rich kid" The Wall. I also hate Pink Floyd. But I digress.

Ian Emes, experimental animator most famous for the work done for Pink Floyd (and many others in the music business) had died, as best as I can nail it down, July 23 of this year. And that is very sad.

When I was a MovieSnob in training, I saw (EDIT 16:00:32, CEST) Emes' French Windows on the big screen, the opening short of an all-animation festival (including Will Vinton's Closed Mondays and the Fleischers' Superman, The Mechanical Monsters!). And Kid MovieSnob was impressed. So, regardless of being considered the de facto Pink Floyd animator, thanks from the bottom of my icy heart, Mr. Emes. You at least showed me what animation could be.

Bonus-Because-I-Love-You Link: Emes' French Windows in HD, instead of CB's 360px linked video.

[email protected]

 

Since I'm on the same page as director/storyboard artist Elaine Bogan regarding all things Pee-Wee, I'll forgive her for liking dragons and trolls a lot…I mean, a lot. Bordering on unhealthy "a lot."

R.I.P. Paul Reubens.

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