Avatar. Highest grossing movie in the world. Blue shit.
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Posts soliciting spoilers (endings, plot elements, twists, etc.) should contain [spoilers] in their title. Comments in these posts do not need to be hidden in spoiler MarkDown if they pertain to the titleβs subject matter.
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2024 discussion threads
It was an okay (but derivative) movie, but an amazing tech showcase for 3D. That's why it was the highest grossing.
Best critique I ever heard about Avatar: "Eh, Fern Gully did it better."
Anything that comes from Marvel. Overrated CGI tripe.
Since you phrased it ambiguously, Spider-Man: Into the Spider-Verse is amazing.
The Dark Knight Rises. Not only is it a bad Batman movie, it oddly has a pro cop message. Also, I can't take Bane seriously at all with that ridiculous voice.
All of Nolanβs Batman movies were heavily pro-cop. Watch TDK again: the day is saved by illegal surveillance, and Batman faces no consequences for using it.
This is how I felt about all the Nolan Batman movies, except it was Batman himself I couldn't take seriously because of Bale's ridiculous Cookie Monster voice. I think I burst out laughing in the theatre when I first heard it.
Probably getting some hate for saying this, butβ¦. The Dune movies are some of the worst big budget movies Iβve seen. They look nice and the cinematography is awesome but that movie feels so damn empty.
Yeah, I'd rather watch the Lynch version anytime, the new ones are like 6 hours of bland, boring choices and wooden performances.
any of the new MCU movies post-endgame. they were so generic, and it was clear some of the movies ran out of money on cgi or animation.
Almost all of Will Ferrell's movies, but especially Talladega Nights, a stupid movie about stupid people doing stupid things according to a stupid script. It's one of two movies I've ever walked out on (the other being Splice, which is just gross). Stranger Than Fiction is the only good movie with Will Ferrell in a starring roll.
Edit: Splice not Split
Stranger Than Fiction is by far Ferrell's best work, because it's the only film of his where he doesn't act like an insufferable man-child.
I wish he would play it straight in more films. He's actually a decent actor when he doesn't act like a fucking idiot.
Snowpiercer. It was highly rated on Rotten Tomatoes and from the poster I thought it stared U2's The Edge, so I took a chance. That was the dumbest shit I've ever seen.
Gravity.
Literally the only movie I've ever turned off part way through. Youd think that the producers would have, i don't know, accurately depicted the force the movie is named after.
New Dune.
I was gonna ask why so I could provide a counter argument, but then the question specifically asks for a movie you will never be convinced is good. So I wonβt bother lol.
I gave them an updoot for answering the question even though my personal opinion is that the two new Dune movies are top 10 movies of all time.
Nothing appeals to everyone, and I dislike a lot of critically acclaimed movies and other media because while they just don't resonate with me. Top Gun Maverick was a mediocre retread of so many movies that came before it that while it was well executed from a technical perspective, I found it forgettable and don't understand the hype.
Avatar. Good Lord what bad acting and visual dynamics will do for a movie.
Titanic
Titanic is better if you interpret it differently:
Jack never existed. He was a coping mechanism for Rose to get away from crippling depression and self harm.
The whole movie can be interpreted that way, and it makes it much more interesting. There is no direct evidence for Jack's existence, and everything we hear about him interacting with others is from interviews with Old Rose.
In fact, some parts of the film make more sense when watching this way. Rose's near-miraculous ax hit to free Jack from handcuffs? Never happened. Not getting caught in cargo storage despite having a very involved tail who apparently just gave up? Never happened -- or at least, the part where Jack and Rose have sex in the car never happened.
There is a nude drawing of Rose which she says was done by Jack; however, it is actually signed "JD", so technically could have been any commissioned artist with those initials. In fact, Cal could even have set it up himself -- again, you only ever get Old Rose's version of events. Though we see Rose given the Heart of the Ocean diamond while on board Titanic (and she is wearing it in the drawing), there is once again no reason that must be the case, and since the drawing isn't dated, it could even predate her voyage. The letter she claimed she wrote to Cal about said drawing is not found with it, despite the two documents apparently being stored together.
And, note that a "Jackdaw" is a type of bird with various connections in lore -- one of which being that Jackdaws appear as a precursor to death or an omen of death. Rose claims she met Jack Dawson when he saved her from a suicide attempt.
Uncut Gems
A stressful two hours of screaming and bad decisions
That's the point... We're watching the spiral of a gambling addict. Its pure anxiety, and it's done so well.
Mad Max: Fury Road. I thought that was dumbest, most caveman pleasing trash that has ever received that much acclaim. Truly, the entire movie is designed to make a caveman go, "OOhhhH!.... WwAaHh!... FFIIRE!.... DwWoOah!..... HaHhh!..... OOhhhH! LaDy!!...HhaHh!... MAD!!.....WoOoHhh!"
I enjoyed it. Great cinematography and practical effects. My wife? Not so much. She broke it down as.. "oh look! They drove away! Then the drove back! The end! That was the whole movie!"
The Godfather. The characters are empty and hard to attach to, the sound is terrible, there's so much filler in the editting it becomes a chore as I watch yet another seemingly pointlessly extended shot or micro-scenesβWhy?! What was the point?!βAnd yet I'm meant to feel something when this character I hardly know since about 10 mins ago gets killed?
If a film had an inflated ego...
BladeRunner - is like they wrote the screenplay based on the excellent source novel, then cut most of the ideas out, leaving only things that make no sense. Rick Deckard is a terrible detective, and only wins the final confrontation because Roy Batty... just gives up? I recently decided that my teenage self might have been wrong and rewatched it... nah, still terrible.
Poor Things. Watched it in the cinema and it was just disgusting, I don't care how critically acclaimed it is.
Lucas directed Star Wars. Any. He's an awful director in almost every aspect. Some of the worst acting from extremely talented people I've ever seen because he doesn't know how to direct them.
Take the same cast, story, massage the script, and have ANYONE else direct, and it'd be great. I just can't with Lucas.
I think George Lucas would agree with you.
While he directed the first film, Empire and Jedi had other directors. When it came to the prequel series Lucas really tried to get someone else to direct, but everyone turned him down as the project was "too daunting".
Lucas is best as the idea guy.
Take the same cast, story, massage the script, and have ANYONE else direct, and it'd be great.>
Not true, they did this already with Ep7.
No Country For Old Men.
I was actually really enjoying the whole cat and mouse thing until the main fucking character died off-screen.
How does nobody ever talk about how shitty that "plot twist" is? It's not clever. It's not entertaining. It's just bad storytelling. They don't even show you a good shot of him to convey what actually happened. My girlfriend and I had to rewind it twice because it was so fucking stupid and made so little sense.
That's actually how I feel about most of the Coen Brothers' movies. The classical narrative structure exists for a reason. It's a good framework for telling a story that makes sense.
Sometimes there's a good artistic reason for diverting from that and telling the story in an unconventional way. Other times it's just pretentious auteur garbage.
This might come off as pretensions, but you should trust the writers more. The movie, and book, are very well written, and if something doesn't make sense, you should consider that you missed something.
I'll say this, Llewelyn Moss is not the main character. The movie doesn't start or end on him. He doesn't change or evolve as a character. How he died isn't the point.
It helps to focus on what Anton Chigurh said about rules, and what the Sheriff says about what he is willing to die for.
If you want me to just spell out the theme, I can do that to, but I think you would enjoy it more if you trust the movie.
If The Sopranos was boring, what youβd get is The Godfather. Itβs boring. And it insists upon itself.
I don't really get the hype for Citizen Kane.
Though, I kinda think it might be because growing up, this movie was spoiled in almost every cartoon I ever saw ("Rosebud" was the punchline of so many jokes) and maybe not knowing the ending would have made it better. π€·π»ββοΈ
That right there is the millennial experience.
So many culturally defining movies came out before the 1980s that by the time you're being raised in the 90's, they're making children's media that references it. I knew the plot of Star Wars long before I saw it.
My favorite example is The Mask of Zorro, which...not an old film, but it came out when I was slightly young for it. A few years go by, I'm in high school, and Shrek comes out. Then it's sequel, with a swashbuckling orange cat voiced by Antonio Banderas. And then I eventually catch Mask of Zorro, and laugh through the entire thing because holy shit the main character sounds exactly like Puss In Boots.
Chappie. I had to leave the theater early to prevent any more brain damage.
This movie introduced me to the majesty that is Die Antwoord, and that alone made it worthwhile.
Eternal Sunshine if a Spotless Mind has such good reviews and people speak fondly of it online. I hated it, just thought both characters were insufferable, and there was nothing remotely romantic about it. Felt like I was trapped in the bad relationship with them.
Pi and Requiem for a Dream as a one-two punch.
"Being smart is such a curse I'd rather get a lobotomy" is boring, self-serving and trite, but the Reefer Madness-level "drugs bad" thing in Requiem is unbearable and requires every character to be entirely nonsensical.
Trainspotting was four years old by that point. How critics let Aronofsky get away with it is beyond me. To this day the closest I've been from walking out of a movie theatre. The only reason I stuck around was it was in a festival and I was there with other people.